Oil painting on canvas, Canada, late 1970s–1980s.
Oil painting on canvas, Canada, late 1970s–1980s.
Oil painting on canvas, Canada, late 1970s–1980s.
Oil painting on canvas, Canada, late 1970s–1980s.
Oil painting on canvas, Canada, late 1970s–1980s.
Oil painting on canvas, Canada, late 1970s–1980s.
Oil painting on canvas, Canada, late 1970s–1980s.
Oil painting on canvas, Canada, late 1970s–1980s.

Oil painting on canvas, Canada, late 1970s–1980s.

$875.00

This large-scale abstract work explores colour as atmosphere rather than form. Softly layered passages of blue and green are interwoven with muted turquoise and restrained accents of warm orange, creating a composition that feels fluid, suspended, and quietly expansive.

Rather than relying on expressive gesture, the painting unfolds through tonal relationships and subtle chromatic shifts. Its surface invites slow looking, revealing depth through diffusion and transparency rather than mark-making. The work resonates with post–colour field and lyrical abstraction practices, situating it within a broader Canadian abstract tradition of the late 20th century—one marked by experimentation, intuition, and material sensitivity.

Untitled and unsigned, the piece resists fixed attribution, allowing the viewer’s experience to take precedence over authorship. Its square format and measured palette make it particularly suited to contemporary interiors, where it can function as a calm yet grounding visual presence.

Dimensions: 36 × 36 inches

This large-scale abstract work explores colour as atmosphere rather than form. Softly layered passages of blue and green are interwoven with muted turquoise and restrained accents of warm orange, creating a composition that feels fluid, suspended, and quietly expansive.

Rather than relying on expressive gesture, the painting unfolds through tonal relationships and subtle chromatic shifts. Its surface invites slow looking, revealing depth through diffusion and transparency rather than mark-making. The work resonates with post–colour field and lyrical abstraction practices, situating it within a broader Canadian abstract tradition of the late 20th century—one marked by experimentation, intuition, and material sensitivity.

Untitled and unsigned, the piece resists fixed attribution, allowing the viewer’s experience to take precedence over authorship. Its square format and measured palette make it particularly suited to contemporary interiors, where it can function as a calm yet grounding visual presence.

Dimensions: 36 × 36 inches